Textiles

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  • Manolete

    Manolete

    COLOR: .

    ITEM # 10267

  • Braceo

    Braceo

    COLOR: .

    ITEM # 10261

  • Fireworks

    Fireworks

    COLOR: .

    ITEM # F1020

    Albert Hadley collaborated with Harry Hinson in 2001 to create a collection encompassing light hearted hand printed textiles and wallcoverings. Fireworks is single screen print that represents sparklers. A crown jewel of our collection, Fireworks is a beloved and widely celebrated textile.

  • Iliad

    Iliad

    COLOR: .

    ITEM # 10169

    Iliad, our large-scale, ikat-inspired stripe, takes you on a journey across its worn, woven surface. An intimate linen and viscose blend create the subtle play of textures. Rendered in dusty, neutral shades, Iliad is bold, yet livable, earthy, yet elegant.

  • HOLLYWOOD

    Hollywood

    COLOR: .

    ITEM # 10208

  • Monte Carlo

    Monte Carlo

    COLOR: .

    ITEM # 10256

  • Sashiko

    Sashiko

    COLOR: .

    ITEM # 10031

    Sashiko is a wonderful upholstery and decorative fabric that recalls an ancient craft. The color palette of this woven jacquard has been expanded beyond traditional indigo colors to include bright hues and more subdued combinations of naturals and darks.

  • Zigzag

    Zigzag

    COLOR: .

    ITEM # 10194

  • Mykonos

    Mykonos

    COLOR: .

    ITEM # 10246

  • Trixie

    Trixie

    COLOR: .

    ITEM # F1003

    Now a Hinson exclusive, Albert Hadley designed Trixie for a special exhibit at the New York Public Library. Indicitave of the Hadley heyday, this wallcovering still looks incredible today.

  • Maze

    Maze

    COLOR: .

    ITEM # 10186

    Maze is a modern, elegant twist on the graphic look of Vice Versa, Angelo Donghia's original textile company. An all-over pattern of lines and dots, Maze plays on geometry and topography.

  • FLIRT

    Flirt

    COLOR: .

    ITEM # 10225

    Flirt is a large scale graphic pattern depicting magnetized bamboo shoots that intersect, providing a wrapped and bonded abstract image.

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